Modelling the finished headpiece.
21 March 2013
making a headpiece
I got another request to make a bridal headpiece recently.
This one was for Ari's sweet teacher.... and she loved it ♥
Labels:
bridal,
flowers,
life on earth,
millinery,
Pretty Things
Pablo Neruda
A dear friend once gave me a book, 'The Captain's Verses'. It is one of the most beautiful books, that I have ever read. Those of you who know me, will know of my long love affair with poetry. When I dug a little deeper, I unearthed another gem. A book of poems, so perfectly formed, from title to last line, that the experience of reading it, moved me to tears... Pablo Neruda's 'Twenty Love Poems and A Song of Despair'. If you haven't read it, don't read what's written below. Don't ruin what lies in wait at the bookstore or the library or on a friend's shelf. Go out and find a copy. And read it. From cover to cover. I envy your first time.
A Song Of Despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the wharves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the wharves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
Pablo Neruda
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
Pablo Neruda
Labels:
life on earth,
poetry
26 February 2013
05 January 2013
30 December 2012
whiling away the days...
I've been enjoying the sweet sounds of Lee Morse
after whiling away this weekend with wonderful friends
and devouring far too many sweet treats! Ah, the lovely thing
about celebrating a Summertime Christmas and New Year is
the sheer abundance of sweet fruits on tree and table.
The trees are laden with plums again, which I am about to head
outside and pick, in the softer evening sunshine. 'Tis pickling
and jamming season again and I am looking forward
to some good old home preserving this week....
I hope you have all been enjoying a wonderfully
delightful holiday season! One filled with delicious
food, delightful visitors and decadent days... xo
You can listen to many of Lee's beautiful songs here
Labels:
life on earth,
music,
Summertime,
the beauty of nature
07 December 2012
31 October 2012
09 October 2012
Tracciamenti
The beautiful illustrative work of Italian Artist Tracciamenti.
Found via The Jealous Curator (one of my favourite blogs).
More here, here and here.
Labels:
Art (others),
geometry,
illustration
19 September 2012
dress
"This was the first video I ever made. We shot it in a circus
school called 'Fooltime' in Bristol on a 16mm Bolex camera.
We could only afford to process 12 minutes of film, so bits
of the film are repeated, played backwards and forwards! "
Labels:
BLACK AND WHITE,
film,
life on earth,
music,
PJ Harvey
31 August 2012
snap!
Viola Farber 1958
Yayoi Kusama 1968
This post is a direct transcription from
a post by reference library.
Too good not to repeat it. HaHa!
Hmmm....
I'll let you make up your own mind Yayoi
more strange and wonderful images here
Labels:
Art (others),
BLACK AND WHITE,
costume,
curiosities,
life on earth,
theatre
21 August 2012
Dolly LOVE
Isn't she just incredible? The detail is so exquisite.
English Doll 1755-1760 via V&A Collection
"Pandoras were used from the 14th century to convey the latest
fashion among courts of Europe.... by the end of the 18th century
the pandoras had given way in importance to fashion magazines.
The figures were not designed as toys, but, after (fulfilling) their
original purpose they may been given to children to play with."
-words from the V&A Collection website
I love the patina of these beautiful old dolls and doll houses.
I love the patina of these beautiful old dolls and doll houses.
Labels:
curiosities,
DOLLS,
textiles,
vintage
08 August 2012
The Dollhouse #7
This incredible Doll House, made by Paul Cumbie in 1883,
an amazing chateuesque mansion built between 1878-82.
It was located at 660 Fifth Avenue on the Upper East Side in
NYC, but sadly demolished in 1926 to make way for offices!
Labels:
doll houses,
life on earth,
vintage
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